ACT I. Paris, Christmas Eve, c. 1830. In their Latin Quarter garret, the painter Marcello and poet Rodolfo try to keep warm by burning pages from Rodolfo’s latest drama. They are joined by their comrades â€” Colline, a young philosopher, and Schaunard, a musician who has landed a job and brings food, fuel and funds. But while they celebrate their unexpected fortune, the landlord, Benoit, arrives to collect the rent. Plying the older man with wine, they urge him to tell of his flirtations, then throw him out in mock indignation. As the friends depart for a celebration at the nearby CafÃ© Momus, Rodolfo promises to join them soon, staying behind to finish writing an article. There is another knock: a neighbor, MimÃ¬, says her candle has gone out on the drafty stairs. Offering her wine when she feels faint, Rodolfo relights her candle and helps her to the door. MimÃ¬ realizes she has dropped her key, and as the two search for it, both candles are blown out. In the moonlight the poet takes the girl’s shivering hand, telling her his dreams. She then recounts her solitary life, embroidering flowers and waiting for spring. Drawn to each other, MimÃ¬ and Rodolfo leave for the cafÃ©.
ACT II. Amid shouts of street hawkers, Rodolfo buys MimÃ¬ a bonnet near the CafÃ© Momus before introducing her to his friends. They all sit down and order supper. A toy vendor, Parpignol, passes by, besieged by children. Marcello’s former lover, Musetta, enters ostentatiously on the arm of the elderly, wealthy Alcindoro. Trying to regain the painter’s attention, she sings a waltz about her popularity. Complaining that her shoe pinches, Musetta sends Alcindoro to fetch a new pair, then falls into Marcello’s arms. Joining a group of marching soldiers, the Bohemians leave Alcindoro to face the bill when he returns.
ACT III. At dawn on the snowy outskirts of Paris, a Customs Officer admits farm women to the city. Musetta and revelers are heard inside a tavern. Soon MimÃ¬ walks by, searching for the place where the reunited Marcello and Musetta now live. When the painter emerges, she pours out her distress over Rodolfo’s incessant jealousy. It is best they part, she says. Rodolfo, who has been asleep in the tavern, is heard, and MimÃ¬ hides; Marcello thinks she has left. The poet tells Marcello he wants to separate from his fickle sweetheart. Pressed further, he breaks down, saying MimÃ¬ is dying; her ill health can only worsen in the poverty they share. Overcome, MimÃ¬ stumbles forward to bid her lover farewell as Marcello runs back into the tavern to investigate Musetta’s raucous laughter. While MimÃ¬ and Rodolfo recall their happiness, Musetta quarrels with Marcello. The painter and his mistress part in fury, but MimÃ¬ and Rodolfo decide to stay together until spring.
ACT IV. Some months later, Rodolfo and Marcello lament their loneliness in the garret. Colline and Schaunard bring a meager meal. The four stage a dance, which turns into a mock fight. The merrymaking is ended when Musetta bursts in, saying MimÃ¬ is downstairs, too weak to climb up. As Rodolfo runs to her, Musetta tells how MimÃ¬ has begged to be taken to her lover to die. While MimÃ¬ is made comfortable, Marcello goes with Musetta to sell her earrings for medicine, and Colline leaves to pawn his cherished overcoat. Alone, MimÃ¬ and Rodolfo recall their first days together, but she is seized with coughing. When the others return, Musetta gives MimÃ¬ a muff to warm her hands and prays for her life. MimÃ¬ dies quietly, and when Schaunard discovers she is dead, Rodolfo runs to her side, calling her name.
New York – Nov 20
Nov 20 2004
Location: Metropolitan Opera
Address: Lincoln Center New York NY
This is very cool: http://t.co/q4jVxle5 They say every detail of that happened… http://t.co/6sb5zdqf
FUN STUFF: New research has found that the mere mention of a woman’s name can temporarily affect a man’s… http://t.co/3MgKWz16
VIENNA: Pre Spring Drinks @ Ocean’s One Vienna – Mar 07 March 7th,2012 at 19:00… http://t.co/YHJ758gY